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ONLINE EDITING - THE CRAFT

MANCHESTER / WORLDWIDE

Where the story is finished

The offline cut carries the story. Online editing is where that story becomes something you can actually put to air — technically precise, broadcast-compliant, and built to survive every platform it's delivered to.

FROM LOCKED CUT TO BROADCAST MASTER

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10:13:06:23

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COLOUR GRADING

Look development

Once the conform is complete, grading gives the finished master its visual identity — matching every shot, developing a look that suits the story, and finishing for whatever spec it's being delivered in, from broadcast SDR to HDR.

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THE QC PASS

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CONFORM

Re-linked to full resolution camera originals

Audio Levels

Mixed and mastered to broadcaster loudness spec

Legalisation

Colour and levels checked against broadcast-safe limits

Titles and Subtitles

Synced, formatted to spec, and burned in or delivered as a separate file

Metadata

Matched exactly to what the broadcaster or platform requires

Final Technical Review

A full watch-through checking for drop-outs, sync errors and delivery faults

CONFORM, EXPLAINED

Offline isn't the finished file

Offline editing works from lightweight proxy footage so the creative process stays fast. Conform is the technical process of rebuilding that exact edit using the original, full-resolution camera files — frame for frame, cut for cut — so nothing about the story changes, but everything about its quality does.

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DELIVERED TO SPEC

Every broadcaster and platform has its own technical rulebook — the master only counts as finished once it passes all of them.

AS-11

PRORES 422 HQ

REC. 709

BROADCAST SAFE

CLEAN ELEMENTS

MUSIC AND EFFECTS

TITLE SAFE

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GET IN TOUCH

POLYGON POST PRODUCTION

MediaCity UK, Manchester, UK

Offline and Online editing for broadcasters, agencies, and brands with secure remote workflows.

Tom Loveridge editing on Love Island UK

18+

Years Experience

200m+

Views Across All Shows

12+

Major Broadcasters

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